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In commemoration of the one-hundredth anniversary of his birth, Ansel Adams at 100 presents an intriguing new look at this distinguished photographer's work. The legendary curator John Szarkowski, director emeritus of the Department of Photography at New York's Museum of Modern Art, has painstakingly selected what he considers Adams' finest work and has attempted to find the single best photographic print of each.
Szarkowski writes that "Ansel Adams at 100 is the product of a thorough review of work that Adams, at various times in his career, considered important. It includes many photographs that will be unfamiliar to lovers of Adams' work, and a substantial number that will be new to Adams scholars. The book is an attempt to identify that work on which Adams' claim as an important modern artist must rest." Ansel Adams at 100-the highly acclaimed international exhibition and the book, with Szarkowski's incisive critical essay-is the first serious effort since Adams' death in 1984 to reevaluate his achievement as an artist.
The exhibition prints, drawn from important public and private collections, have been meticulously reproduced in tritone to create the splendid plates in this edition, faithfully rendering the nuances of the original prints. Ansel Adams at 100 is the definitive book on this great American artist. John Szarkowski is director emeritus of the Department of Photography, The Museum of Modern Art, New York. He is the author of such classic works as Looking at Photographs, The Photographer's Eye, Photography Until Now, and Atget, as well as several books of his own photographs, including the recently reissued The Idea of Louis Sullivan.
- Sales Rank: #746915 in Books
- Brand: Brand: Ansel Adams
- Published on: 2001-08-02
- Original language: English
- Number of items: 1
- Dimensions: 14.50" h x 1.50" w x 13.00" l, 7.87 pounds
- Binding: Hardcover
- 200 pages
- Used Book in Good Condition
Amazon.com Review
Ansel Adams at 100 celebrates the centenary of one of America's best-loved photographers. This superlative catalog of an exhibition organized by San Francisco Museum of Modern Art presents the most dramatic and the most delicate of Adams's formal compositions, from spectacular mountainscapes to grasses on a pond, all reflecting his avowedly religious relationship to nature. Previously unpublished examples of Adams's early images show how he worked through the day, using changing light and different vantage points to interpret a subject. A fascinating comparison of his darkroom techniques is given in two printings of a 1948 negative of Mount McKinley, made in 1949 and 1978 to very different effects, one brooding and luminous, the other crisp and monumental. (The conventional wisdom is to prefer the earlier, but this reviewer loves them both.) The text by John Szarkowski, director emeritus of New York MoMA's photography department, gives biographical details and gracefully places Adams in the history of 20th-century photography and the conservation movement. Impeccable technical standards were a hallmark of Adams's work, and this book follows his tradition. Each black-and-white image is a tritone, meaning that it was printed from three different plates corresponding to different parts of the original photograph's gray scale, resulting in an extremely rich chromatic range. Light really does appear to glisten off a wet rock, and white aspens to glow. The images have been very carefully chosen, each page of a double spread complementing the other. The book's paper is custom-made, it is bound in linen and presented in a linen slipcase, and a complimentary facsimile of one of Adams's icons is included. The whole adds up to a most unusual and pleasing artifact: Ansel Adams at 100 consciously sets out to be the definitive study of a master, and it succeeds. --John Stevenson
From Publishers Weekly
Grandly proportioned, linen-bound and graceful as the images it conveys, Ansel Adams at 100 commemorates the birth of the famous native San Franciscan photographer with 114 of Adams's rich, beloved images spanning his oeuvre, and some delightful photos of the artist. The book and accompanying centennial exhibit at San Francisco's Museum of Modern Art (Aug. 2001-Jan. 2002), curated by John Szarkowski, director of the department of photography at New York's Museum of Modern Art, reevaluate the impact of Adams's work on photography, landscapes and the audience. "His pictures have enlarged our visceral knowledge of things that we do not understand," writes Szarkowski. He relates specific epiphanies that propelled Adams's evolution as an artist, such as when he shot Monolith, the Face of Half Dome, having suddenly realized that using a specific filter would "deepen the tone of the sky almost to black" and capture his emotional experience of the vista.
Copyright 2001 Cahners Business Information, Inc.
Review
"A book that's also art." ―The New York Times
"Long after the museum tour of Ansel Adams at 100 ends, this book will endure as a vital document of his vast contribution to the art of landscape." ―San Diego Union Tribune
"[Szarkowski's] incisive biographical essay and reproductions worthy of Adams' exacting standards make [the book] a fitting monument to an American visionary." ―Artnews
"[Adams] probably did as much as any artist of the 20th century to shape the American psyche, to change our perception of the world...These pictures strive for classical purity, order, and finality." ―Washington Post
Most helpful customer reviews
0 of 0 people found the following review helpful.
A Most Important Addition to the Serious Photographer's Book Collection
By David Winter
"AA at 100" is recognized as the consummate volume of his work. Superbly
reproduced images are likely the closest most of us will get to seeing his work
as he visualized. For anyone seriously interested in photographic legacy and history, the book
is a 'must have,' along with "Edward Weston's 50 Years."
An excellent companion volume to 'AA at 100' is Adams' "Examples: The Making of
40 Photographs." In this book, AA offers both technical and anecdotal notes for many
of his iconic images.
0 of 0 people found the following review helpful.
Ansel Adams at 100 is required reading by any photography lover.
By david crothers
A beautifully presented and boxed/packaged volume with a wonderful accompanying text. This is a great buy at an excellent price. This does not mean that one should ignore the other Ansel Adams that are available through Amazon. "Ansel Adams: Yosemite and The High Sierra" is also a must buy for anyone loving this photographer.
0 of 0 people found the following review helpful.
Five Stars
By Dmitrii
My daughter loved this book. It was delivered on time sealed in original packaging.
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