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King Richard III (Arden Shakespeare), by William Shakespeare
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Richard III is one of the great Shakespearean characters and roles. James R Siemon examines the attraction of this villain to audiences and focuses on how beguiling, even funny, he can be, especially in the earlier parts of the play. Siemon also places King Richard III in its historical context; as Elizabeth I had no heirs the issue of succession was a very real one for Shakespeare's audience. The introduction is well-illustrated and provides a comprehensive account of the play, critical approaches to it and its varied stage history.
The edition also provides a clear and authoritative playtext, edited to the most rigorous standards of scholarship, with detailed notes and commentary on the same page. With a wealth of helpful and incisive commentary the Arden Shakespeare is the finest edition of Shakespeare you can find, giving a deeper understanding and appreciation of his work.
- Sales Rank: #4099930 in Books
- Brand: Brand: Bloomsbury Arden Shakespeare
- Published on: 2009-10-27
- Released on: 2009-10-27
- Original language: English
- Subtitled in: English
- Number of items: 1
- Dimensions: 8.21" h x 1.28" w x 5.40" l, 1.40 pounds
- Binding: Hardcover
- 456 pages
- Used Book in Good Condition
From Library Journal
Thanks to the recent film version, Richard is again a hot property. This Dover Thrift edition is the most economical way to stock extra copies.
Copyright 1996 Reed Business Information, Inc.
Review
“A detailed, scholarly introduction...Siemon delivers impressively...particularly in the in-depth annotations that crowd the 290 pages of text in this epic history play....Commentary and collations...necessary notes, providing historical context, chronology, and pedigrees, a pattern that is repeated throughout this edition.
Siemon's notes are elaborate when appropriate, and consolidated...when necessary...He authoritatively charts its historical contexts and complex theatrical afterlife.” ―Around the Globe magazine
From the Publisher
An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Almost A Tragedy
By Dora Benley
Almost A Tragedy: Richard III by Shakespeare
We saw a RADA performance of Richard III last summer on the Queen Mary 2 sailing across the North Atlantic to Southampton. I was struck by how tragic the play is even if it is supposed to be one of the histories. It reminds me of Macbeth. Richard aspires to be king the way Macbeth does. He commits crimes and must pay the price. In the end he dies defending his kingdom, again like Macbeth. Macbeth must fight the woods that come to Dunsinane. Richard cries out, "A horse! A horse! My kingdom for a horse!" while carrying on a battle against Richmond.In the RADA production's staging we saw underlined the ever-growing dark quality of the drama: flowers were laid on the stage by the gravestone of the newest victim. Richard's wife, Anne, grieves for her sins in marrying Richard and being seduced by him even as Lady Macbeth goes mad. The ghosts of the slain rise up against Richard in his sleep before his end while Macbeth is always grappling with witches and the supernaturalMacbeth. Of course the only reason Richard III doesn't number among the Shakespearian tragedies is because of Tudor politics. Richard was on the wrong side in the Wars of the Roses. He was the enemy of Queen Elizabeth's family. Shakespeare was forced to render the character of Richard in two dimensions instead of three.
by Linda Cargill, author of Key to Lawrence
5 of 5 people found the following review helpful.
Richard III (folger library edition)
By Alan M. Shearer
I chose this Folger edition of the play because I have used these editions ever since I was a drama student in high school. I always like the way the footnotes and definitions of obscure words are interspersed with each page of text. These are among the most readable editions because one can quickly find the footnotes while reading, without interrupting the reading to flip to another page. Footnotes tend to be very small in print in some other editions, as well. The type set or font here is of a size that makes for ease in reading.
Of course, one should read many of the fine editions of other paperback and hardbound publications of Shakespeare to get to know the plays in depth. But the Folger PB copies are well-priced, and a very good choice for a first reading of any play.
0 of 0 people found the following review helpful.
Scientists discover bones – Playwrights discover souls
By ChooChooCharlie
They can find bones but not the spirit. That was my thought when reading today’s newspaper and encountering an article describing the controversy over where the found remains of King Richard III should be interred. Yes, scientific analysis indicated his body was probably deformed due to scoliosis. However, only the master of the English language could discover Richard’s lament that ‘dogs bark at me as I halt by them’. Thus the motive for Richard’s villainous nature is established in Shakespeare’s play Richard III. Means and opportunity come easy to the royal knave whose evil mantra removes the handcuffs of restraint with the pithy observation that ‘Conscience is but a word that cowards use’. The picture is painted, the colors are words and Shakespeare is the artist.
I thoroughly enjoyed re-reading the play Richard III on my Kindle e-book device. The instant access to e-dictionaries made reading Shakespeare easier compared to reading my print version where the thought process is more readily interrupted by the length of time required to look up the definition of a word. English words are the linchpins of Shakespeare’s artistry so understanding their meanings are essential to the overall enjoyment of his works.
Since Richard III is historical fiction one must be reasonable in making historical judgments. I consider my following judgment of King Richard III a fair conclusion. Whereas Johnson was lucky to have his Boswell, King Richard III was unlucky to have his Shakespeare. For the rest of us, we were very lucky.
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