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Decorative Alphabets and Initials (Lettering, Calligraphy, Typography)From Dover Publications
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This unusual Dover publication presents a singular opportunity to the artist, crafter, designer, illustrator, printer, or other user of letter designs to have always at hand a rich store of inspiration and a swipe-file. More important, you may reproduce any initial or alphabet in this volume free of charge, without asking permission. The work is all royalty-free; when you buy the book, you buy the reproduction rights to any individual part of it. The price is less than you would pay to professional archives for one copy of the letter.
There are 123 full-page plates including 91 complete alphabets in widely differing styles. In all, there are 3,924 initial letters. These alphabets were obtained from rare, out-of-print books, generally available only in libraries or in the rare-book market. They were reproduced directly from the pages of a large and expensive collection that was made specifically for the production of this volume. Since they are direct reproductions, they will all reproduce again excellently.
The book has been carefully arranged and annotated by the compiler so that the student of letters and types may have a complete understanding of decorative alphabets and initials. The work is divided into three parts. Part One deals entirely with manuscript initials as they were used from the eighth to the fifteenth centuries. It includes Celtic initials, rare designs from the Bible of Charles the Bald, and incised letters from the monument of Richard II in Westminster Abbey. Part Two contains initials from printed books, starting with the fifteenth century and running through the eighteenth. Here are the fanciful creations of the sixteenth-century woodcutters; initials illustrated with children, cherubs, birds, beasts, flowers, legends, and grotesque heads. The work of the later engravers, writing masters, and baroque and rococo designers follows in order. Part Three attempts to arrange the "great weedy jungle" of Victorian letters and types and concludes with twentieth-century alphabets such as the distinctive wood engraving of Edward Wadsworth. Each section has a historical introduction, and each plate has a descriptive caption.
- Sales Rank: #228488 in Books
- Published on: 1959-06-01
- Released on: 1959-06-01
- Original language: English
- Number of items: 1
- Dimensions: 11.02" h x .41" w x 8.27" l, 1.17 pounds
- Binding: Paperback
- 192 pages
From the Back Cover
Ninety-one complete alphabets — medieval to modern — include 3,924 decorative initials, including Victorian novelty and Art Nouveau. These alphabets were obtained from rare, out-of-print books, generally available only in libraries or in the rare-book market. They were reproduced directly from the pages of a large and expensive collection that was made specifically for the production of this volume. Since they are direct reproductions, they will all reproduce again excellently.
The book has been carefully arranged and annotated so that the students of letters and types may have a complete understanding of decorative alphabets and initials. The work is divided into three parts. Part One deals entirely with manuscript initials as they were used from the 8th to the 15th century. It includes Celtic initials, rare designs from the Bible of Charles the Bald, and incised letters from the monument of Richard II in Westminster Abbey. Part Two contains initials from printed books, starting with the 15th century and running through the 18th. Here are the fanciful creations of the 16th-century woodcutters: initials illustrated with children, cherubs, birds, beasts, flowers, legends, and grotesque heads. The works of the later engravers, writing, masters, and baroque and rococo designers follows in order. Part Three attempts to arrange the "great weeds jungle" of Victorian letters and types and concludes with the 20th-century alphabets such as the distinctive wood engravings of Edward Wadsworth. Each section has an historical introduction and each plate has a descriptive caption.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By Kathryn Hedges
What I expected
16 of 16 people found the following review helpful.
Love it
By Vidalia11
This book provides hours of entertainment and study. Alphabets from all different eras, some of them incredibly ornamental. Every time I look at this book, I see something new to admire.
10 of 10 people found the following review helpful.
Great resource book for Calligraphers, and Penwork Doodling Artists
By PenandInk
This book is a great resource for calligrapher, doodling artists, lettering artists that need a copyright-FREE book for inspiring their creativity.
The book shows the contour lines of the initials letters where the artist used the positive and negative shapes of the letter form to draw patterns. The book starts with the 8th century and ends in the beginning of the 20th century. This is a great resource book to add to your library if you love working in the contour of the outline of the alphabets and initials letter forms. This book works for me as a calligrapher and also as a Doodling Artist that specialize in working in the positive and negative contour lines of a letter form using geometric shapes and ink silhouette shading.
My favor plate is Plate 29 which the author describes "Letter surrounded by penwork doodling-from a 16th-century chorale, Monte Cassino.
I also use this book to challenge my art skills, for example plates 102 and plate 117 are full with penwork doodling.
I highly recommend this book to anyone that loves decorative alphabets and initials.
PenandInk777
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