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the surrender of reason to saensuality

• Sales Rank: #1327524 in Books
• Published on: 1986-09-23
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x 1.13" w x 5.98" l, 1.88 pounds
• Binding: Hardcover
• 511 pages

Review
"Behind this book lies the assumption that, in spite of protestations to the contrary, historians have created their own specialized vocabulary or unique ways of defining familiar words. As a result, Ritter's dictionary will serve as a quick means to the definition and background of more than 80 concepts commonly used or misused by historians. Each entry includes a brief definition of the concept, a historical essay of its development with appropriate cross-references to related entries, an annotated list of the works cited in the essay, and suggestions for further reading. A generous index of persons and subjects allows for more comprehensive linking of material in the individual entries that can be accomplished by simply using the cross-references. Ritter's choice of historical concepts includes basic terms, such as crisis, ' event, ' and fact'; various isms such as historicism, ' idealism, ' and positivism'; and types of history--comparative, intellectual, social or universal. Although the concepts often possess multiple and conflicting definitions, Ritter's entries skillfully guide the reader to an overall historical and philosophical understanding of the various usages. The selection of concepts is generally thorough.... Undergraduate and graduate collections."-Choice

"Ritter ... has performed a noble service for his colleagues and their students. Surely undergraduates and high school students become confused about the meanings of key concepts in history, basic ideas such as cultural history, dialectic, the Enlightenment, historical materialism, liberalism, realism, and Zeitgeist. Ritter takes approximately a hundred of these terms and, whenever possible, explains how, when, and by whom they were introduced and how they have been used over the years and how their meanings have evolved. ... When interested in a concise, quick source of these terms, such readers will find this ... helpful. ..."-Wilson Library Bulletin

?Ritter ... has performed a noble service for his colleagues and their students. Surely undergraduates and high school students become confused about the meanings of key concepts in history, basic ideas such as cultural history, dialectic, the Enlightenment, historical materialism, liberalism, realism, and Zeitgeist. Ritter takes approximately a hundred of these terms and, whenever possible, explains how, when, and by whom they were introduced and how they have been used over the years and how their meanings have evolved. ... When interested in a concise, quick source of these terms, such readers will find this ... helpful. ...?-Wilson Library Bulletin

?Behind this book lies the assumption that, in spite of protestations to the contrary, historians have created their own specialized vocabulary or unique ways of defining familiar words. As a result, Ritter's dictionary will serve as a quick means to the definition and background of more than 80 concepts commonly used or misused by historians. Each entry includes a brief definition of the concept, a historical essay of its development with appropriate cross-references to related entries, an annotated list of the works cited in the essay, and suggestions for further reading. A generous index of persons and subjects allows for more comprehensive linking of material in the individual entries that can be accomplished by simply using the cross-references. Ritter's choice of historical concepts includes basic terms, such as crisis, ' event, ' and fact'; various isms such as historicism, ' idealism, ' and positivism'; and types of history--comparative, intellectual, social or universal. Although the concepts often possess multiple and conflicting definitions, Ritter's entries skillfully guide the reader to an overall historical and philosophical understanding of the various usages. The selection of concepts is generally thorough.... Undergraduate and graduate collections.?-Choice

About the Author
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Most helpful customer reviews

3 of 4 people found the following review helpful.
Professor Ritter Rules!
By A Customer
I took several classes from Doctor Ritter, and found his lectures to be the best-organized of any professor I've yet had. The benefits of this lecture style are also found in his Dictionary, which can be used as a corollary to anyone interested in studying history (esp. that of modern Europe). It is a great way to easily familiarize yourself with political trends, social theories, movements, and more.

0 of 1 people found the following review helpful.
Five Stars
By lpqnhi
Great concepts, really useful for translator.

See all 2 customer reviews...

Dictionary of Concepts in History (Reference Sources for the Social Sciences and Humanities), by Harry Ritter PDF
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The ultimate reference that completely details production numbers by series and body styles, giving serial numbers, engines, and chassis specs. Pricing according to condition.

• Sales Rank: #486324 in Books
• Brand: F+W Media
• Published on: 1996-05
• Original language: English
• Number of items: 1
• Dimensions: 2.04" h x 8.56" w x 11.11" l, 6.60 pounds
• Binding: Paperback
• 1598 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
A very handy guide.
By Edgar J LaCombe
For my vehicle title business.

4 of 6 people found the following review helpful.
Excellent automobile reference.
By Donald Pyle
I beleive that anyone looking for an automobile that could have been made in the US, will find it in this book. Very well written and informative.

10 of 10 people found the following review helpful.
Great Resource Deserves Six Stars
By William Matheson
This is quite a remarkable resource about the history of American automobiles. It is one of author Beverly Rae Kimes's greatest legacies, a detailed, thoroughly researched, and complete work that will remain as the definitive story of the American automobile industry from its earliest days of the horseless carriage. It is almost unimaginable how Kimes and Clark pulled it off. It deserves 6 stars.

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With this book, museum professionals can learn how to unleash creative potential throughout their institution. Drawing from a wide range of research on creativity as well as insights from today’s most creative museum leaders, the authors present a set of practical principles about how museum workers at any level―not just those in “creative positions”―can make a place for creativity in their daily practice. Replete with creativity exercises and stories from the field, the book guides readers in developing an internal culture of creative learning, as well as delivering increased value to museum audiences.

• Sales Rank: #657335 in Books
• Published on: 2013-11-03
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .80" w x 8.00" l, 1.05 pounds
• Binding: Paperback
• 247 pages

Review
“Extremely practical and useable as a toolkit. Creativity is sparked by new information, and these practical new ideas definitely sparked my imagination. I especially looked forward to the Your Creative Practice sections sprinkled throughout the book. I loved getting a behind-the-scenes look at how others in the business form their ideas. It's exactly the type of book I buy when I want to be reinvigorated. You'll want to underline passages, dog-ear the pages, and mark up the margins.”

—Andrea Childress, Atlanta History Center

“I have begun a list of friends and colleagues to whom I wish to gift copies—some to encourage their existing creative practices and others to get them started. This book should be a valuable contribution to the field and a must-read for any museum studies students.”

—Marianne Bez, Museum Consultant

About the Author
Linda Norris is an independent museum professional who focuses on shaping compelling narratives, improving professional practice and listening to communities. She has worked on interpretive projects and developed workshops for museums and cultural organizations in the United States, Canada, and Europe including the American Association for State and Local History, Connecticut Humanities, the Berkshire Museum and the Harriet Beecher Stowe Center. She was a Fulbright Scholar in 2009 and 2010 to Ukraine. Linda blogs at the Uncataloged Museum and is a co-founder of the The Pickle Project.

Rainey Tisdale is an independent curator, based in Boston, who specializes in urban and local history. She spent most of the last decade working for the Bostonian Society, Boston's city historical society. In 2010 she was a Fulbright Scholar in Helsinki, Finland, and in 2011 she was a fellow at Brown University’s John Nicholas Brown Center for Public Humanities. She teaches Material Culture in the Museum Studies Graduate Program at Tufts University and blogs at CityStories.

Most helpful customer reviews

1 of 2 people found the following review helpful.
This book really keeps on giving.
By Carol bossert
I read this book cover to cover when I got it. It is so full of useful tips and uplifting stories about how museums are taking risks and building creative cultures. I usually put books like this on the shelf, stashed between other museum theory and practice tombs, but I have kept this one on my desk so that I can open it during spare moments in my day. This way, every page becomes a mini-creative practice session, giving me an idea of one small thing that I can do to tap into my creativity or inspire others. Congratulations to these authors for collecting great information and presenting it in such an accessible way.

2 of 3 people found the following review helpful.
This inspirational and informative book reinforces key creativity concepts and ...
By Debra Lemieux
This inspirational and informative book reinforces key creativity concepts and introduces relevant new ones.
It also encourages everyone to make a place for creativity.

0 of 0 people found the following review helpful.
Wonderful validation that creativity counts
By Peggy Wishart
The text is a distinctive, easy-to-read, open design. Content has got me thinking about how to tackle my everyday work as well as bigger projects in new ways. Wonderful validation that creativity counts!

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• Sales Rank: #9607840 in Books
• Published on: 1959
• Binding: Hardcover

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• Sales Rank: #25772 in Books
• Published on: 2015-10-01
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.70" w x 11.20" l, .66 pounds
• Binding: Hardcover
• 912 pages

Review

2016 James Beard Award for Beverage Winner

"Comprehensive, dependable and well-written; it is an excellent point of reference for anyone seeking to enhance their wine knowledge." --Wine and Spirit Education Trust

Review(s) from previous edition

"The third edition of The Oxford Companion to Wine, edited by Jancis Robinson, is the one essential book for any wine-lover... the book is a necessity for those in the wine business, and it offers highly pleasurable browsing for anybody who is remotely curious about why wine is so compelling." --Eric Asimov, The New York Times

"It's a valuable reference book and great fun just to pick up and read." --Ben Giliberti, The Washington Post

"An invaluable resource for serious wine drinkers who never quench their thirst for learning about varietals, appellations, wine history, and vineyards." --Business Week

"Serious wine geeks know that 'the bible' for the past decade or so has been Jancis Robinson's The Oxford Companion To Wine. The third edition...is impeccably researched and full of well-known facts as well as interesting trivia." --Wine Enthusiast

"Unquestionably the world's most comprehensive wine resource... Best of all, this isn't a dry encyclopedia... employs a witty insider's tone." --Town & Country

Named one of "20 Essential Books to Build Your Culinary Library" by the James Beard Foundation

"A solid update of a vital reference from a towering authority in the field." - Library Journal

About the Author
Julia Harding, a Master of Wine, linguist, and fastidious editor, is Jancis Robinson's full-time assistant and associate palate. In this book, she has gathered the most up-to-date statistics about wine-grape plantings in every corner of the planet as well as unearthing recommended wine producers for almost every grape variety.

Jancis Robinson is a Master of Wine, the Financial Times wine writer, and the author/editor of dozens of wine books, including The Oxford Companion to Wine and The World Atlas of Wine. Her award-winning website, www.JancisRobinson.com, has subscribers in more than 100 countries.

Julia Harding, a Master of Wine, linguist, and fastidious editor, is Jancis Robinson's full-time assistant and associate palate. In this book, she has gathered the most up-to-date statistics about wine-grape plantings in every corner of the planet as well as unearthing recommended wine producers for almost every grape variety.

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5 of 6 people found the following review helpful.
I enjoy reading the extensive information contained in this book
By LRS
I enjoy reading the extensive information contained in this book, but I cannot recommend the Kindle version. With this electronic version, readers will require patience...and waste unnecessary time trying to find the subject they are looking for.
Obviously, a book that functions as an encyclopedia with more than 900 pages is not a book that one reads straight through from start to finish. Rather, one skips around from subject to subject according to one's needs. A volume of this magnitude needs to be formatted/laid out carefully, in a way that is both visually pleasing and practical/easy to use.
To be clear: information can be found according to a number of categories, including: alphabetical list, regions, topics, etc. However, the problem is that all lists are presented in one long single column, instead of over several columns on a given page (as would be the case in a print verion of a phone book or normal encyclopedia). Given the extensive information contained in this book, this single column presentation requires the reader to turn entirely too many electronic pages in browsing and searching for information.
For those who know exactly which term they are looking for, there is a search feature...however, as is always the case with electronic books, the search will present the long list of every time that word or phrase is listed in the entire book (which you then have to scroll through) rather than take you directly to that particular entry heading. Furthermore, given the 900+ pages in length, the search feature takes quite a while before it is completed.
I cannot comment on the layout of the print version of the book as I have not seen it. I selected this particular book for the information contained therein, and I chose the electronic version due to the fact that I travel often and may be moving soon. However, if I did not move or travel often, I think the print version would be preferable.
I do not understand why the layout of electronic books is lagging so far behind the layout of electronic magazines which are becoming quite sophisticated (see the electronic publication of Intelligent Life by the Economist group, for example). Readers of electronic versions can reluctantly accept ho-hum versions of straightforward content with no images like novels, but many electronic versions of other types of books need to wake up to the needs and expectations of the 21st century.

Judging on the information alone, I have thus far been pleased with this book. However, to my mind, the price paid for the electronic version should guarantee a higher level of user friendliness.

5 of 6 people found the following review helpful.
Benchmark for Wine Reference Books
By I. King
For those who are seeking their wine credentials, this is an indispensable textbook. While this may be too much for the newbie, when you're done with it, you WILL KNOW WINE. More than many professionals, I'd say!

This is a reference book/encyclopedia. This is not a book you can sit down and "read." At least, not if you're looking for plot or story. This is a meticulously researched and written tome on all things wine and it is meant to educate, not entertain. Unless, of course, you're a wine geek like me.

Update 2/16 - It would have been wonderful to have an online version with clickable links. As I've been expanding my knowledge in different subjects, I realize that this is where this book is wanting. With textbooks now online, this would be a fabulous way to get even more value from this excellent book.

10 of 14 people found the following review helpful.
All in all an outstanding book that could have been even better. I would have awarded 4 1/2 stars if ...
By Charles A. Warner
When it comes to information and graphics on wine this book is incomparable. However, this is the 21st century when visual presentations must also include photo illustrations and a connecting website. Unfortunately, this doesn't exist for this volume. The only photos included are merely chapter dividers. My guess is that OUP decided to keep production costs down by not having a significant number of photo illustrations. There is a website: http://www.oxfordcompaniontowine.com/. But the only purpose of the site is to sell the book. It's time for OUP to realize that it's 2015 and not.1990. All in all an outstanding book that could have been even better. I would have awarded 4 1/2 stars if I could.

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During the twentieth century, the number of Christians in Africa grew from an estimated 4 million to more than 300 million. One of the forces that has propelled the church's remarkable growth is its liturgical music, which has been heavily influenced by indigenous musical traditions. This rewarding book takes readers "inside the music" for the first time. By examining the central role of indigenous music in promoting Christianity and in giving voice to local theologies, the authors seek to energize conversations between music, culture, and the church. Furthermore, they extract useful lessons for fostering faith communities around the globe.

• Sales Rank: #2341870 in Books
• Brand: Brand: Baylor University Press
• Published on: 2008-03-12
• Original language: English
• Number of items: 1
• Dimensions: 8.85" h x .51" w x 6.26" l, .74 pounds
• Binding: Paperback
• 165 pages

Features

• Used Book in Good Condition

Review
"This book puts a face of hope and faith on Africa, the second largest and, for some, the most chaotic continent in the world. Through song, dance and drama, we learn of additional ways to pray and praise the God of all peoples, times and places. The insights offered in this volume come from authors who thoroughly know and love Africa and, through their insights, further our understanding of how God is moving in the world through music and faith. A significant addition to the literature on music and mission."―C. Michael Hawn, Professor of Church Music and Director of the Sacred Music Program, Perkins School of Theology, Southern Methodist University

About the Author
Roberta King is Associate Professor of Communication and Ethnomusicology at Fuller Theological Seminary.

Jean Ngoya Kidula is Associate Professor of Music at the University of Georgia.

James R. Krabill is Senior Executive for Global Ministries for the Mennonite Mission Network.

Thomas A. Oduro is Senior Lecturer and Principal at Good News Theological College and Seminary.

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ISBN-10: 0766808416 Edition Description: Revised ISBN-13: 9780766808416 Publication Year: 1998 Author: P. D. Olivio, C. Thomas Olivo, Thomas P. Olivo Language: English Format: Trade Paper, Book ISBN: 9780766808416

• Sales Rank: #5156881 in Books
• Published on: 1999
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