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Poe, "The House of Usher," and the American Gothic, by D. Perry, C. Sederholm
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Poe, 'The House of Usher,' and the American Gothic discusses the interrelation between Poe's tale and the modern horror genre, demonstrating how Poe's work continues to serve as a model for exploring the deepest and most primitive corners of the human mind and heart.
- Sales Rank: #4913434 in Books
- Published on: 2009-03-15
- Released on: 2009-04-28
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .50" w x 5.50" l, .70 pounds
- Binding: Hardcover
- 190 pages
Review
"Easily meeting the high standards that Gothic studies from Palgrave Macmillan have been setting in recent years, the main result is thus a readable, compelling, and useful contribution to Gothic studies generally and to the history of the American Gothic in particular." - NBOL-19
"Poe, The House of Usher, and the American Gothic is a welcome addition to the scholarly canons of Poe, the other writers included in their study, and the tradition of the American Gothic." - Tony Magistrale, Professor and Associate Chair of English, University of Vermont
About the Author
Author Dennis R. Perry: Dennis R. Perry is an Associate Professor of Literature and Film at Brigham Young University, USA. Author Carl H. Sederholm: Carl H. Sederholm is an Associate Professor of Humanities at Brigham Young University, USA.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Tracing "Usher"
By Wesley
Dennis R. Perry and Carl H. Sederholm attempt to trace the contributions of Edgar Allan Poe to major works of horror and Gothic in America, arguing that Poe is not merely an influence on all American Gothic after him, but that he "is the dominant ghost haunting modern American horror" (18). Perry and Sederholm suggest this by focusing on Poe's "The Fall of the House of Usher," and its direct influence on several texts, which include Gilman's "The Yellow Wallpaper," James's The Turn of the Screw, Lovecraft's fiction, Jackson's The Haunting of Hill House, Bloch's Psycho, Levin's Rosemary's Baby, and King's The Shining.
Perry and Sederholm's preface and first chapter explain the purpose of their study and their reasoning behind focusing on Poe's "House of Usher." They claim that Poe studies have largely overlooked Poe's influence on Gothic and horror writers and that because of Poe's varied styles and broad influence on American fiction, "he can easily be marginalized in studies of genres in which he should be acknowledged as a key player" ("Preface" vii). They define Poe's work broadly enough to encompass genres like Gothic and horror, arguing that his work is much more varied than most studies suggest, and they focus on "House of Usher" to narrow the scope of their study, positing that this story is Poe's masterpiece and serves as an appropriate model for studying elements of Gothic and horror.
Poe's Gothic traditions are well noted in the first chapter, as Perry and Sederholm claim that Poe's "House of Usher" is the "culmination of the Gothic literary tradition," noting Ann Radcliffe and Horace Walpole as the forerunners of genre (8). Defining the characteristics of the genre and hinting at how it overlaps with genres like horror or ghost stories gives the book a solid foundation for tracking the tradition, its culmination in Poe, and then Poe's continuous "haunting" influence on the American Gothic.
Though Perry and Sederholm are thorough in examining the "Usher Formula" and the elements that characterize it, the explanation may be difficult to grasp for someone unfamiliar with a wide scope of American literature and the criticism that they refer to (like Freud and Todorov). Nevertheless, this explanation serves as a good context as the following chapters mark the influence of Poe throughout the Gothic and horror traditions in American literature and popular culture. As the book goes on, some prior knowledge of the texts in discussion would definitely aid in understanding the points of influence that Perry and Sederholm examine as the texts are discussed in detail with only occasional summary provided.
What makes this book interesting and difficult at the same time is the number of goals that Perry and Sederholm set out to accomplish. Primarily, they examine Poe's place in the literary conventions of Gothic and horror and trace the influence of "House of Usher." They also use this conversation to promote an understanding of what makes Poe's "House of Usher" so significant in culture (as they explain its significance in the world of literary criticism). Other goals include accounting "specifically for the overlooked significance of 'The Fall of the House of Usher'" and contributing "to the ongoing recent discussion of the aesthetics and cultural significance of Gothic literature and its branches: terror, horror, romance, and the weird tale" (4, 11). Though all of these goals are accomplished to some degree, the scope of the study seems too broad, even though Perry and Sederholm attempt to narrow it significantly by focusing on American texts and the influence of only one of Poe's tales.
0 of 0 people found the following review helpful.
Great Book about Poe by Dennis Perry!!!!
By Love the Piano
i have read some of this book and it is a comprehensive look at Poe, "The House of Usher," and I know Dennis Perry (Enlish professor) is a great author. Interesting book. Read it TODAY! CM
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