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Designed to offer a clear, concise, and accessible way to explore the familiar and unfamiliar territories of world literature, this two-volume version of The Bedford Anthology of World Literature offers students and teachers a broad and carefully balanced selection of literary works supported by extensive historical background and generous contextual materials.

• Sales Rank: #36042 in Books
• Published on: 2008-11-21
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.99" w x 7.02" l, 3.76 pounds
• Binding: Paperback
• 1872 pages

About the Author
Paul Davis (Ph.D., University of Wisconsin), professor emeritus of English at the University of New Mexico, has been the recipient of several teaching awards and academic honors, including that of Master teacher. He has taught courses since 1962 in composition, rhetoric, and nineteenth-century literature and has written and edited many scholarly books, including The Penguin Dickens Companion (1999), Dickens A to Z (1998), and The Lives and Times of Ebenezer Scrooge (1990). He has also written numerous scholarly and popular articles on solar energy and Victorian book illustration. His most recent book is Critical Companion to Charles Dickens (2007).

Gary Harrison (Ph.D., Stanford University), professor and director of graduate studies at the University of New Mexico, has won numerous fellowships and awards for scholarship and teaching. He has taught courses in world literature, British Romanticism, and literary theory at the University of New Mexico since 1987. Harrison's publications include a critical study of William Wordsworth, Wordsworth's Vagrant Muse: Poetry, Poverty, and Power (1994); as well as several articles on topics such as John Clare's poetry, Romanticism and Ecology, nineteenth-century culture, and teaching world literature.

David M. Johnson (Ph.D., University of Connecticut), professor emeritus of English at the University of New Mexico, has taught courses in world literature, mythology, the Bible as literature, philosophy and literature, and creative writing since 1965. He has written, edited, and contributed to numerous scholarly books and collections of poetry, including Fire in the Fields (1996) and Lord of the Dawn: The Legend of Quetzalcoatl (1987). He has also published scholarly articles, poetry, and translations of Nahuatl myths. His most recent book of poetry is Rebirth of Wonder: Poems of The Common Life (University of New Mexico Press, 2007).

John F. Crawford (Ph.D., Columbia University; postdoctoral studies, Yale University), associate professor of English emeritus at the University of New Mexico, has taught medieval, world, and other literature courses since 1965 at a number of other institutions including California Institute of Technology and Hunter College and Herbert Lehmann College of CUNY. The publisher of West End Press, an independent literary press with 120 titles, Crawford has also edited This Is About Vision: Interviews with Southwestern Writers (1990) and written articles on multicultural literature of the Southwest.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Great selections and organization in book
By Ms. Lemon
This book carries a great selection of classic works by tradition
I used this book for my World Lit course in January(required text), but have decided not to sell it back and keep it for reading sake.

I am used to reading from Norton Anthologies, so was a bit skeptical about reading from the Bedford Anthology. Surprisingly, in the end, I actually enjoyed the Bedford collection more. The context is given in the "in-between" blue pages of the book and gives excellent articles, short stories, and historical background for the main stories themselves. They were extremely helpful and expanded both my knowledge of significant historical events as well as influential literature.

Although, this product is considered the "compact" edition, the book is still considerably large and thick.
It is definitely not a book you would carry around in your purse or take everywhere with you for leisure reading.

1 of 1 people found the following review helpful.
Recommend
By APR
It is a really great product in which I really enjoyed it and I would recommend it to anyone to purchase. Went beyond my expectations!

0 of 0 people found the following review helpful.
not bad
By Mic
It said it was a used a book. It ment it. All the pages were there; however, there v was something sticky on the cover I wish had been cleaned off. But it shipped quickly so it wasn't bad

See all 15 customer reviews...

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Welcome to the Second Edition! The Architecture of Light makes lighting design approachable. This vivid, image packed text of lighting concepts and techniques serves as the perfect companion for lighting design students and professionals alike. Built around a successful teaching curriculum, this text provides a logical step by step progression through the phases of conceptualizing, refining, drafting and presenting lighting design. Written by a practicing professional lighting designer who is also an award winning design instructor, The Architecture of Light presents a perfect blend of visual design tools and fundamental lighting knowledge. In addition to theory and discussion, The Architecture of Light also provides complete chapters of common lighting details, case studies and a catalog of specific lighting tools. Every architect, interior designer and design student deserves a working knowledge of lighting design and this single book makes it possible.

• Sales Rank: #26526 in Books
• Brand: Brand: Conceptnine
• Published on: 2012-05-08
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .67" w x 8.50" l, 2.25 pounds
• Binding: Paperback
• 282 pages

Features

• Used Book in Good Condition

Review
Released in January 2008, The Architecture of Light is a lighting design textbook that merges fundamental lighting knowledge with graphic techniques for generating and communicating lighting design. The 264-page book is the brainchild of Sage Russell, a lighting designer at San Diego-based Lumia Light Studio and instructor at the Design Institute of San Diego. When asked what inspired him to publish the book, Russell says, "Having taught lighting design to architects and interior designers for seven years, each semester I struggled to provide them a text resource that was practical and applicable in the context of a one-semester lighting education." Specifically created as a tool for design professionals whose primary focus is not lighting design, The Architecture of Light concentrates on visual data to provide a deeper understanding of the lighting decision-making process. Color diagrams, photographs, and renderings are used to educate readers about the controllable aspects of light--both electric and daylight--and how they can be applied to architectural spaces. The text, which features 28 chapters divided into three parts--the fundamentals of light, designing light, and deliverables--presents procedures that architects and designers can follow to develop an architectural lighting solution that enhances the design intent of a project. In addition to outlining the process of lighting design, Russell includes a series of chapters that focus on lighting fundamentals such as the physical properties of light and color, physiology of vision, and the characteristics of electric light sources. An overview is provided for the luminaire selection process, and readers are introduced to a family of "workhorse" products that commonly appear in fixture schedules. Sample cutsheets and images also are provided from a variety of lighting manufacturers, along with case studies of each fixture type. Typical lighting layouts for residential and commercial spaces are supplied, along with frequently used lighting details to illustrate design tactics for a variety of interior environments. Developed as a supplement to the text, lighting textbook.com features design guides and lecture modules that follow the book's organization. Instructors of lighting design courses can download free PowerPoint presentations, handouts, and exercises based on a 15-week curriculum. The textbook--available for retail orders at amazon.com--and the online tools were developed with the purpose to expose individuals to basic lighting knowledge and offer a true representation of what professional lighting designers do. "Good design comes from faith in a process," Russell explains. "If a designer knows that they have a reliable method for making design decisions and coming up with concepts, they will have more confidence in their abilities, and will evolve to more innovative design." --Source: ARCHITECTURAL LIGHTING Magazine By Megan Casey

From the Publisher
Written by a practicing professional lighting designer who is also an award winning design instructor, The Architecture of Light presents a perfect blend of visual design tools, and fundamental lighting knowledge.

The most useful aspects of practicing lighting design are presented here. Visual examples of critical lighting theories A comprehensive approach to adding light in layers Rendering and drafting techniques for documenting concepts and applications. Diagrams of fundamental lighting physics and physiology In depth discussion of specific lighting applications Examples of lighting layouts, luminaire schedules and cut sheets Daylight integration systems and details

In addition to theory and discussion, The Architecture of Light also provides complete chapters of common lighting details, case studies and a catalog of specific lighting tools. Every design student, architect and interior designer deserves a working knowledge of lighting design and this single book makes it possible.

From the Author
Lecture Download: The architecture of light is based on an award winning 15 week curriculum of architectural lighting design coursework. These lectures are provided absolutely free of charge. Instructors and professionals are encouraged to download the weekly coursework for use in classrooms and as design guidance. Each lecture is provided with supporting assignments and a lecture guide.

Details and Diagrams: The Architecture of Light provides bold, easy to understand figure and diagram. Also included are two chapters of typical lighting application details including coves, slots, backlighting applications and daylight integration details.

Typical Lighting Layouts: The Architecture of Light includes over twenty pages of typical lighting layouts for a variety of commercial and residential spaces. Each layout includes a discussion of common features and a breakdown of the layered application of light.

Most helpful customer reviews

12 of 14 people found the following review helpful.
Use With Caution
By ColorGuy
I practice and teach lighting design in New York City, and bought this book to see if it would be useful for my students. As an easy read for a home owner who wants to learn more about lighting, this book is fine. However, I don't recommend this as a design textbook.

The biggest problem is in the explanation of lighting calculations, which is simply wrong because most of them ignore the distance that light must travel between the light source and the point of interest. We all know from experience that the farther away a light source is, the less light it delivers. When distance is introduced it, too, is incorrect. One type of calculation utilizes the Inverse Square of the distance between the light and the target. However, squaring the distance doesn't produce a measurement of square feet, just the result of a mathematical function. If light travels 10 ft., for example, squaring that distance produces the number 100, not 100 sq. ft. Where would those square feet be found?

The general design approach is well written and useful. However, the chapter on calculations should be skipped entirely.

11 of 13 people found the following review helpful.
Great intro to lighting
By sarayale
I am building a new LARGE home and wanted to get information to figure out the lighting scheme. This book was actually interesting and enjoyable to read. I have already read dozens of different books to be prepared for the homebuilding process (I will be my own general contractor) and have found this to be one of the most useful with real information and not just buzzwords.

That being said, if the author or publisher is reading this, you MUST do a thorough proofreading before the next printing because there are MANY typos in the book (I would seriously fire whoever was in charge of proofreading!)

I am very happy I bought this book since I really had no background in lighting and this provided a good basis.

8 of 9 people found the following review helpful.
what you see is what you need
By katie
In an industry known for confusing acronyms, undeciferable number sequences and cut sheets, this book acts like a road map for understanding the multi faceted world of lighting design. Delightfully straight forward and easy to read, each of Russell's steps is outlined clearly to help teach a general method for approaching lighting a space depending on your end goals rather then a micro managed process of what goes where in each room. The concepts are balanced with doses of real world insight and finished off with a great breakdown of sample fixtures and their applications. Explaination and illustration of cut sheets, lamp details, lighting maps, sample interiors and exteriors all contribute to the book's clarity. Whether you are an industry professional hoping to brush up on your understanding of current technique or a student trying to get a good general introduction to the field this book is sure to be exactly what your looking for.

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• Sales Rank: #1629952 in Books
• Published on: 2010-03-01
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x 1.00" w x 9.31" l, 3.15 pounds
• Binding: Hardcover
• 240 pages

About the Author

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Most helpful customer reviews

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Just OK
By Nina R Salerno
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Great book
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Covers the basic principles of failure of metallic and non-metallic materials in mechanical design applications. Updated to include new developments on fracture mechanics, including both linear-elastic and elastic-plastic mechanics. Contains new material on strain and crack development and behavior. Emphasizes the potential for mechanical failure brought about by the stresses, strains and energy transfers in machine parts that result from the forces, deflections and energy inputs applied.

• Sales Rank: #935990 in Books
• Published on: 1993-09-07
• Original language: English
• Number of items: 1
• Dimensions: 9.57" h x 1.43" w x 6.40" l, 2.45 pounds
• Binding: Hardcover
• 672 pages

From the Publisher
Covers the basic principles of failure of metallic and non-metallic materials in mechanical design applications. Updated to include new developments on fracture mechanics, including both linear-elastic and elastic-plastic mechanics. Contains new material on strain and crack development and behavior. Emphasizes the potential for mechanical failure brought about by the stresses, strains and energy transfers in machine parts that result from the forces, deflections and energy inputs applied.

From the Back Cover
Updated to include new developments in fracture mechanics, this new edition delivers the same clear, comprehensive coverage of the subject as its predecessor. Like its predecessor, Failure of Materials in Mechanical Design, Second Edition provides a comprehensive examination of every method now being used to analyze, predict, and prevent such failures. It presents the basic principles of the science, and goes beyond the fundamentals to offer new insights on how to apply this theory to actual design applications. The new edition has been extensively revised and updated with state-of-the-art developments in fracture mechanics - plus all new material on crack development and behavior. It also features new problems and real-world examples. Topics include modes of mechanical failure, strength and deformation of engineering metals, combined stress theories of failure and their use in design, concepts of cumulative damage, life prediction and fracture control, high-cycle fatigue, fatigue testing procedures and statistical interpretations of data, shock and impact, fretting, buckling and instability, and more. As the leading book for advanced undergraduate and graduate courses on mechanical failure, Failure of Materials in Mechanical Design, Second Edition will continue to be an invaluable text and reference for mechanical engineers.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Isaac
Great Book

7 of 9 people found the following review helpful.
A decent book, but not my first pick
By A Customer
This book has a lot of information, no doubt about it. And you may find some things in it that you'll be hard-pressed to find elsewhere (such as non-linear damage theories, fretting, shock and impact, etc). However, the book is quite theoretical, and information is scattered over various chapters, sometimes making it difficult to find what you're looking for. And when you do find it, the information is often not presented in a precise and detailed manner, which is important whenever you attempt to extend theory to real-life problems. I found this to be the case with the strain-based fatigue discussion, and especially the fracture mechanics coverage, which is cursory at best. I recommend that you first check out Dowling's book ("Mechanical Behavior of Materials"). I have found it to be much more useful.

2 of 2 people found the following review helpful.
excellent reference for mechanical design
By Roberto A. Torres
It is a very good book. Gives a broad explanation of failure considerations in the mechanical design process. It is complemented with examples that help to understand. It is a very technical book. Do not expect to pretty color pictures. Math is stated in a sequential way that can be undestood pretty easily. When disscussing a topic recalls some basics before touching partcular details. It is not an introductory book. A book on mechanical of materials would be a excellent complement. Excellent as a reference.

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From the co-creator of the celebrated Big Book of Jewish Humor comes a laugh-out-loud collection of jokes about growing older that makes fun of memory loss, marriages, medicine, sex, the afterlife, and much more, making this the perfect gift for almost anyone who was born before you were.

Growing older can be unsettling and surprising. (How on earth did this happen? Where did the years go?) So what better way to deal with this new stage of life than to laugh about your new reality? Die Laughing includes more than enough jokes (not to mention cartoons!) to let that laughter burst out.

Whether it’s dealing with doctors, dating in one’s seventies, or unexpected bodily changes (not to mention funny noises), some things are easier to face with a smile of recognition. That’s why Die Laughing is the perfect gift for your parents, anyone celebrating a significant birthday, or any boomer with a sense of humor whose age begins with a six or higher.

• Sales Rank: #36329 in Books
• Published on: 2016-10-25
• Released on: 2016-10-25
• Original language: English
• Number of items: 1
• Dimensions: 8.37" h x .90" w x 5.50" l, .0 pounds
• Binding: Hardcover
• 304 pages

Review
“A priest, a minister and a rabbi finally agree: this is one funny book. Geezer-licious!”   (Jack Handey, author of Deep Thoughts)

About the Author
William Novak, who was born in 1948, has written or co-authored some two dozen books, including the best-selling memoirs of Lee Iacocca, Tip O’Neill, Nancy Reagan, the Mayflower Madam, Oliver North, Magic Johnson, and Tim Russert.  He is also the co-editor with Moshe Waldoks of The Big Book of Jewish Humor.  He and his wife, Linda, live in the Boston area and have three grown sons, all of whom are writers. 

Excerpt. © Reprinted by permission. All rights reserved.
Die Laughing INTRODUCTION
Dad always thought laughter was the best medicine, which I guess is why several of us died of tuberculosis.

—Jack Handey

Although I’m not exactly old, I seem to be headed in that general direction. I was born in 1948, which brings up an important question: How much longer can I still pretend to be middle-aged?

Growing older was something that happened to my grandparents. Like so many of my fellow baby boomers, I thought our generation would remain forever young. Apparently we were misinformed. And now that I’m finally coming of age, I’m starting to experience some of the symptoms I’ve been hearing about for years, such as misplacing my car keys, forgetting names, and noticing various aches and pains that seem to have no rational explanation.

I’ve been vaguely aware that a growing number of the jokes that friends were telling me, or passing along over email, had to do with things like memory loss, Alzheimer’s, long marriages, or other concerns of older people. Even so, I wasn’t ready to acknowledge that any of this had much to do with me.

But all of these clues must have been loitering in my unconscious mind, because early in 2015 it suddenly occurred to me to compile a book of jokes about growing older. After all, I couldn’t be the only one who would appreciate a chance to laugh about the approach of sixty, seventy, or some other significant birthday. So I started looking for jokes on age-related topics, and when I finally had enough, I selected the best ones, along with some wonderful cartoons, for this book.

Remember jokes? A priest, a minister, and a rabbi walk into a bar. Three nuns meet Saint Peter at the Pearly Gates. Although comedians stopped telling them long ago, jokes are still around, and one purpose of this book is to make sure they stay around.

With a sensitive subject like aging, it may be worth pointing out that jokes just don’t portray the full scope of reality. They ignore a great deal that is true and reassuring because those things don’t happen to be funny. And the point of jokes and cartoons, and certainly the point of this book, is to make you laugh.

Laughter may not be the best medicine, but a growing body of research is showing that it has some real health benefits:

It strengthens the immune system.

It relaxes the body and reduces stress.

It lowers blood pressure and increases blood flow.

Laughter also increases the ability to tolerate pain. This brings to mind Norman Cousins, longtime editor of the Saturday Review, who famously checked himself out of a hospital and into a hotel in the mid-1970s after being struck by an especially painful and life-threatening form of arthritis. After putting himself on a regimen of Marx Brothers and television sitcoms, Cousins described “the joyous discovery that ten minutes of genuine belly laughter had an anesthetic effect that would give me at least two hours of pain-free sleep.”

But wait—there’s more. Much like exercise, laughter expands the blood vessels and helps prevent cardiovascular disease.

Some researchers think it may offset memory loss.

It releases endorphins, which improve a person’s mood.

Laughter promotes optimism, which in turn improves resiliency.

It is also thought to stimulate learning, productivity, and problem solving.

And according to a seven-year study of more than fifty thousand Norwegians, older people with a sense of humor had a lower mortality rate than their counterparts who did not laugh easily at daily events.

Now, even if only half of these claims are actually true, the jokes in this collection should have a real health benefit. Of course, a lot of things have a real health benefit. But how many of them are this much fun?

The jokes that follow come from a variety of sources, including other books. (All joke books “borrow” from previous collections, although almost none of them admit it.) Some made their way to me from friends and fellow collectors, and others turned up on the internet, often in several different versions. In almost every case I have rewritten them. And all of the cartoons first appeared in the New Yorker.

A number of these jokes will be familiar, and I hope readers will greet them as old friends. Others, I trust, will be entirely new, and still others might strike the reader as completely wrong, because most people prefer the version of a joke that they already know.

None of the jokes carry an author’s name because, unlike comic routines, one-liners, and cartoons, jokes don’t have authors. As the legendary folklorist Gershon Legman observed in Rationale of the Dirty Joke, nobody has ever told a joke for the first time. Or, as the old saying goes, there are no new jokes—only new audiences.

Quotations do have authors, but a few of the one-liners in these pages have often been credited to the wrong people. (George Carlin was very talented, but he didn’t come up with all the lines that are commonly ascribed to him.) Where it was impossible to determine the author of a quote with any certainty, no name is listed. Corrections from readers are welcome, but please be careful: “Don’t believe everything you read on the internet just because there’s a picture with a quote next to it.”—Abraham Lincoln.

There are jokes and cartoons here about many things, including death. A certain amount of bad taste is unavoidable and even necessary in this book because life is full of bad taste. But I have mostly avoided crudeness, vulgarity, and four-letter words unless they were critical to the joke.

There are also jokes here that depend on wordplay. It’s easy to disparage puns, or to treat all puns as bad puns, but I side with the satirist Jonathan Swift, who observed long ago that “punning is a talent which no man affects to despise but he that is without it.”

Puns may also be good for you. “Wit and puns aren’t just décor in the mind,” writes Adam Gopnik. “They’re essential signs that the mind knows it’s on, recognizes its own software, and can spot the bugs in its own program.”

I have introduced each chapter with a very short essay that I hope will provide some context and, from time to time, some cheerful news about the subject at hand. But if you’d prefer not to read anything serious in a book like this, be my guest.

When a character’s age isn’t mentioned, please assume that the person is no longer young, and in some cases may actually be old. And by “old,” I mean a few years older than you are.

Finally, I decided to conclude each of the introductory essays, including this one, on a lighter note. I’ve put these jokes in italics so they’ll be harder to miss.

When Larry’s primary-care doctor referred him to a cardiologist, he thought the man’s name sounded familiar. And when he showed up for his appointment and noticed the framed diploma on the wall, he recalled that a tall, dark-haired boy with that name had been in his high school class.

But when he met the doctor, he saw that although the names were the same, that was just a coincidence. This balding physician with a wrinkled face was clearly too old to have been his classmate.

Even so, he asked the doctor where he had gone to high school.

“I went to Memorial,” the doctor said.

“So did I,” said Larry. “And did you graduate in 1964?”

“How did you know?”

“You were in my class!”

“Really?” said the doctor. “What did you teach?”

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• Sales Rank: #4258044 in Books
• Published on: 2015-08-13
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .35" w x 5.51" l, .36 pounds
• Binding: Paperback
• 136 pages

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