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Acclaimed entertainer Hans Schneir collapses when his beloved Marie leaves him because he won’t marry her within the Catholic Church. The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation”
afterwards.
Heinrich Böll’s gripping consideration of how to overcome guilt and live up to idealism—how to find something to believe in—gives stirring evidence of why he was such an unwelcome presence in post-War German consciousness . . . and why he was such a necessary one.
- Sales Rank: #285285 in Books
- Published on: 2010-12-28
- Released on: 2010-12-28
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.18" h x .71" w x 5.48" l, .52 pounds
- Binding: Paperback
- 256 pages
From Library Journal
These mark the fifth and sixth Boll titles reprinted this year-impressive. First published in 1965, The Clown is typical Boll and is ripe with guilt and fear in its Nazi and post-Nazi Germany setting. Vennewitz's translation was dubbed "admirably smooth" (LJ 2/1/65). Katharina Blum (1975) was described by LJ's reviewer as a "powerful image of innocence betrayed, of measureless evil oozing quietly out from regulated, unimpeachable convention" (LJ 4/15/75). Two solid titles.
Copyright 1994 Reed Business Information, Inc.
Review
THE ESSENTIAL HEINRICH BÖLL
"Melville House has now reissued handsome paperbacks of three of Böll's most important novels, and in each we find the 1972 Nobel Prize winner, with a humanist's skepticism and tenderness, refusing to allow his fellow Germans to forgive themselves and move on.... [In The Clown] the abstractions of existentialism are manifested in vivid flesh-and-blood characters."
—Sam Sacks, The Wall Street Journal
“Böll is an expert marksman: the arrows are sharp, the feathers smooth, the targets numerous.”
—The New York Times
“Moving . . . highly charged . . . filled with gentleness, high comic spirits, and human sympathy.”
—Christian Science Monitor
"His work reaches the highest level of creative originality and stylistic perfection."
—The Daily Telegraph
"The renewal of German literature, to which Heinrich Böll's achievements witness, and of which they are a significant part, is not an experiment with form. Instead it is a rebirth out of annihilation, a resurrection, a culture which, ravaged by icy nights and condemned to extinction, sends up new shoots, blossoms, and matures to the joy and benefit of us all."
—The Nobel Prize Committee
“A man of deep feeling and intelligence, speaking in a strongly contemporary voice, [Böll] recorded in his early stories the way it felt to come home to a destroyed country. The tone was neither angry, ironic nor surreal. On the contrary, these stories gave us the slow-moving thoughtfulness of a narrator in pain, walking about on a lunar landscape, knowing he must make sense of things more quickly than he is able to do.”
—Vivian Gornick, The New York Times
Language Notes
Text: English (translation)
Original Language: German
Most helpful customer reviews
21 of 24 people found the following review helpful.
The Finest Novel Ever.
By Bernard Chapin
Rash as it is to say this is the finest novel I've ever read. It is Catcher in the Rye for adults and it's depth of feeling is unsurpassed. Boll is a magnificent writer and translation in no way diminishes his gifts. The creativity, an example would be Schnier's ability to smell odors through the phone, is remarkable. I couldn't put it down either the first or the second time that I read it. Yes, it is depressing, but there is much joy in it and it gives a reader a tremendous opportunity to reflect on the realities of his or her own life. I could not recommend a book more highly.
7 of 7 people found the following review helpful.
Beautiful and Very Relevant
By A Customer
This is one of those rare books I come back to again and again: beautifully and unpretentiously written, and honest to the core. It is a biting critique not only of postwar German society, but of hypocrisy in general (religious, romantic, and otherwise). It made me cry and it made me laugh; I can offer a book no higher praise.
I am not normally a big believer in fate. But as it happens, I first read this book after finding it on top of an abandoned car during a rainstorm. I'd just been dumped by a longtime girlfriend under circumstances not too dissimilar to those of Hans Schnier. I won't say the book saved my life, but it made me feel a lot less alone in the world.
0 of 0 people found the following review helpful.
Fine post-war novel, but dated
By Steiner
Heinrich Böll’s post-war novel is positioned from the standpoint of an anti-hero, Hans Schneir, an itinerant clown who has turned his back on much of his family. Hans lives a life of despairing and self-inflicted impoverishment; he refuses to marry the person he loves, Marie, out of anti-Catholicism, and his relations with his parents have disintegrated. In part Salingeresque first-person alienation, in part trenchant social critique, Boll’s work takes us to dark territories—his moral strength is never absent. Still, one can’t help feeling that this novel moves its thoughts and characters didactically rather than immanently—institutional critique too often obtrudes the realism he aims to achieve. A genuine work, if a bit hampered by time and style.
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